in the theater
vfx & animation
I create my day
what can I do?
press & media
The first half of 2016 has been rather disappointing: the big summer movies, huge and powerful blockbusters were mostly a painful fiasco, movies ranging from the unpresentable ( Batman v Superman, Independence Day ) to mediocre (X-Men : Apocalypse).
Forget blockbusters, 2016 will be rescued by the small films, low budget, some even found favor even being commercially released in the cinema but definitely captured our imagination, our pleasure and our astonishment.
For the preparation of this list were taken into account commercial release in film clubs or even on digital platforms without being properly released in theaters all from the first of January 2016 until today. Some movies on this list were released in the US last year but this year came to our country to commercial billboard so were also considered. You can watch these movies for free on movie4k
What are your favorite movies of 2016 so far?
Sometimes or better a film is not its façade but hidden content, that smuggling after a friendly face manages to sneak certain authorial obsessions, riskier ideas, or are even able to camouflage a whole genre behind the mask of a simple, simple family film. That happens with Zootopia ; behind the facade of an optimistic film and inclusive message homage is discovered to film noir hard-boiled 40s, with large cinéphiles references (all that sequence homage to The Godfather ) and an odd couple (the Hopps rabbit and Nick fox) that are not only endearing but one can not help thinking that both should finish everything with a kiss.
Juggler assembly. In the film Joachim Trier (yes, it is a relative of von Trier), time is relative: the same restart three or four times his film jumping from reality to what you think a character in a snap. The objective becomes subjective to one trick: the issue. Thus, Trier makes soap opera is a drama that seemed, in a remarkable exercise in style which is complicated not leave without some astonishment.
Some find this tape of the Coen brothers less film, but it is undeniable that this looting / homage to classics of the forties and fifties (from the music of Gene Kelly to the epic Roman through the western and more) is not only one of the funniest movies of the year but an irresistible set of references to classic films where what matters is not nostalgia but the honor and recognition of Hollywood not as a vile business, but as one of the largest companies engaged in make art.
Claustrophobia, containment, mystery. 10 Cloverfield Lane is a thriller deftly executed panting. An elegant piece of filmmaking that works just the simplicity of its plot, the directness of its armed and really amazing performances (John Goodman deserve an Oscar the coming year). An exercise on paranoia and terror otherness that sounds almost a political commentary in an America that struggles with another madman who insists that the monster is out and it would be better arm themselves behind a wall.
With Jungle Book is likely to Favreau is laying the foundations of a new era for Disney, an era devoid of authorial impulses but is armed with consciousness, with a script that focuses on lightness, humor, visual spectacle and above all, the development of history and depth in their characters.
Jungle Book is the return to big cinema event, one that – not technology – matter can only be experienced in film and reaches its greatness not by the power of the machine but by human impulses that are transmitted through it. A new way of make believe .
Based on repetition, film about the Holocaust has become almost a genre. With his debut, Nemes just seems to say: talk about these issues should not be a safe and comfortable ride that live behind the safety net which is a distant camera. Few issues require much honesty as the Holocaust and Nemes here how to do it, to portray hell and make us share but always from a vision beyond reproach while brutal. A nightmare about the horror of humanity.
Coogler ago with the Rocky saga what JJ Abrams could not do with the Star Wars Saga. Both Creed and The Force Awakens are the seventh episode of a convalescent franchise, both have fuel the seventies nostalgia, but Coogler, unlike Abrams, understands that this is not about reliving step by step the scenes and circumstances of the past, Coogler bet on their characters, emotion and above all elegance. A hard – hitting knockout.
The Witch has the luxury of being an original film in a genre whose livelihood is based on repetition. The Witch is the return to primal horror, that of stories that were told around a campfire, is the terror caused by the complete absence . of science and the brutal weight of faith the Witch is also an invitation, absolute seduction, temptation maximum described in one sentence: wouldst thou like to live deliciously?
Anomalisa is a fascinating game simulation and simulation, a mindfuck bright beauty difficult to describe yet be turned into a scathing and disturbing nightmare, as disturbing as beautiful at once. A painful exploration of loneliness, modernity and mundane.
The best film so far in 2016 is one that not even opened in theaters ( You can see in iTunes or Cinépolis Klic). The Lobster is a critical brutal hell of human relationships, the idea that we can not be alone, we need necessarily to partner, by any means . Satire is powerful, in this fictional world where it is forbidden to have no relationship, current obsessions of a society are recognized Tinderizada where the choice of a couple hangs a picture and a swipe to the right, where the fear of loneliness factory relationships based on false scaffolding, where the minimum affinity is enough to establish a “stable” relationship. Self – deception which replaces love.
The sharp knife Lanthimos also reaches the opposite: those who make solitude a sect that hates matched that of the extreme independence that creates unable beings to feel some affinity with anyone, perhaps not with themselves.
Human ridiculousness is a perfect drawing Lanthimos films, we can only laugh and recognize.
( More latest news )
WHAT THE BLEEP IS GOING ON???
- Margaret Clapp, Yelm Cinemas Owner
âMany of our customers have stated that they've seen it more than once and can't get enough of it. I've never had so many phone calls from all over Oregon, wanting information and wanting to come and see this film!â
- Peter Boicourt, McMenaminâs Theater Manager
(Stay connected, sign up to our mailing list.)
Science, Spirituality, Humor and a New Paradigm:
It has arrived!
Bored? Resigned? Cynical?
âWhat the #$BLEEP*!â will rock your world and when you leave the theater, your life will never be the same.
Morose? Melancholic? Living the same repetitious days again and again?
âWhat the #$BLEEP*! provides incisive insight while making you roar with laughter!
Alone in your thoughts about the world and your place in it?
âWhat the #$BLEEP*!â offers an expansive view and provides hope, a stairway leading out of and above the din, and true freedom!
Read Some #$BLEEP*! Reviews
âWhat the #$BLEEP*! Do We Know!?â is a unique cinematic creation - really three films in one, interwoven like a DNA helix, into an original tapestry.
Itâs a documentary. Itâs a story. It has mind-blowing special effects. These three elements combine to bring about a film experience that will rock your mind and lift your soul! Itâs a new genre about a New Worldview for a new audience.
This outrageous film plunges you into a world where quantum uncertainty is demonstrated â where neurological processes, and perceptual shifts are engaged and lived by its protagonist - where everything is alive, and reality is changed by every thought.
It has been called by some theater goers âThe Handbook to âThe Matrix.ââ Like âThe Matrixâ it shows you a greater reality behind the one we all accept as true, and you have the ability to create absolutely anything from your own thought while laughing all the way!
The difference between this film and that movie is that this isnât science fiction. Itâs even stranger. Itâs real. And itâs the first film to say it. And it does so boldly and with a BLEEP of a lot of humor. And itâs being proven every day by minds like these.
âWhat the #$BLEEP*! Do We Know!?â gives voice to the modern day radical souls of science, bringing their genius to millions. These maverick heroes at the cutting edge of their fields are at the forefront of a Paradigm shift even greater than those of the geniuses who preceded them. And this shift involves the greatest uncharted territory yet â
Human Consciousness itself.
âWhat the #$BLEEP*! Do We Know?â says that science and spirituality are not different modes of thought, but are in fact describing the same thing. And it brings the power back to the individual man and woman as it demonstrates creation as the god-like capacity of every individual.
What inspired it? Click here.
Hollywood doesnât write films like this because they think you are too stupid to understand challenging concepts and too lazy to do anything more than sit and eat popcorn. They donât even hear your rumble and the rumble of countless others on your way to fill the theaters.
âWhat the #$BLEEP*! Do We Know!?â represents a new trend in film that Hollywood has missed. It provides people with what many are most interested in and canât find on any screen: Intelligent and Enlightened Entertainment. They just donât know that you are looking for something that delivers the most thought-provoking concepts of emerging ideas in the most entertaining way.
Exactly like this film
Copyright © 2004 Lord of the Wind Films, LLC - All Rights reserved.
The content (Written, photography, video, audio) in this site is for use by the films producers and Lord of the Wind Films in the promotion of it's motion picture "What The #$*! Do We Know" any use not authorized by the producers will be prosecuted to the full extent of the law.